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| Emittent | Banque Internationale à Luxembourg S.A. |
|---|---|
| Jahr | 1947 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | P#12 |
| Vorderseitenbeschreibung | Brown and orange intaglio print on blue guilloche underprint. At center, an oval crowned frame encloses a portrait of Grand-Duchess Charlotte facing left; farm vignettes flank the central portrait on both sides. The issuer name and denomination appear in the surrounding border. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | BANQUE INTERNATIONALE A LUXEMBOURG S.A. CENT FRANCS 100 LUXEMBOURG LE 15 MAI 1947 LA LOI PUNIT LE CONTREFACTEUR DES TRAVAUX FORCES (Translation: International Bank of Luxembourg One Hundred Francs Luxembourg, 15th May, 1947. The law punishes the counterfeiter with hard labour.) |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Banque Internationale à Luxembourg — founded in 1856, making it the oldest bank still operating in the Grand Duchy — issued this note during a particularly awkward transitional moment. Luxembourg had entered the Belgium-Luxembourg Economic Union in 1921, meaning Belgian francs circulated alongside native issues, and the BIL's own notes occupied an ambiguous but legally valid position in daily commerce throughout the postwar recovery.
Bradbury, Wilkinson produced the plate work in New Malden — their wartime capacity had been heavily committed to Allied currency and document security printing, and their postwar commercial ledger was crowded. The Lefevre credit almost certainly reflects an earlier design commission, with BW adapting or re-engraving for this 1947 run rather than starting from scratch.