Katalog
| Emittent | Togo |
|---|---|
| Jahr | 2013 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Gold plated copper |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | The reverse features a richly detailed scene depicting Pope Francis I surrounded by a group of impoverished figures, rendered in high relief. The Pope is shown in papal vestments with his hand raised to his ear, engaging compassionately with the poor around him, including a woman in a headscarf to the right. A dove in flight is visible in the upper field. The curved legend 'JE VOUDRAIS UNE EGLISE PAUVRE, POUR LES PAUVRES' arcs along the upper periphery, while 'FRANCOIS I' appears in the lower right field and the date '2013' is inscribed at the bottom exergue. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | JE VOUDRAIS UNE EGLISE PAUVRE POUR LES PAUVRES 2013 FRANÇOIS I (Translation: I would like a poor Church, for the poor) |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Francis I became Pope in March 2013 — the first Jesuit, the first from the Americas, the first to take that name. Togo, like several small African nations with limited numismatic infrastructure, has leaned heavily on licensed distributors and European minting contractors to produce commemorative issues timed to world events. These pieces move through the collector market rather than circulation channels.