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| 正面描述 | Green and yellow intaglio-printed note with a central oval vignette containing a left-facing classical female bust, executed in fine line engraving in the style of Marianne, framed by elaborate tropical foliage including palm fronds and exotic fruits. The issuer's title arcs across the upper portion in bold letterpress, with the denomination numeral '100' at each upper corner and 'CENT FRANCS' in large ornate script across the lower centre. Signature lines for 'Le Directeur Général' at lower left and 'Le Président du Conseil de Surveillance' at lower right appear above the designer's credit 'EDMUND DULAC DEL.' at the bottom left margin. |
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| 背面铭文 | CAISSE CENTRALE DE LA FRANCE LIBRE ORD. DU 2 DEC 1941 L'ARTICLE 139 DU CODE PÉNAL PUNIT DES TRAVAUX FORCÉS CEUX QUI AURONT CONTREFAIT OU FALSIFIÉ LES BILLETS DE BANQUE AUTORISÉES PAR LA LOI AINSI QUE CEUX QUI AURONT FAIT USAGE DE CES BILLETS CONTREFAITS OU FALSIFIÉS. |
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The Caisse Centrale de la France Libre was established by de Gaulle's Free French administration in 1941 as a parallel monetary authority, intended to give the movement financial credibility independent of Vichy-controlled institutions. This 100 Francs was among the first notes issued under it — printed in London at a moment when the Free French controlled almost no actual French territory.
Edmund Dulac, the Franco-British illustrator best known for his book illustrations, was an unusual choice for currency work. Bradbury Wilkinson had engravers of their own, but Dulac's involvement gave the series a distinctive character that set it apart from conventional wartime emergency issues.
The series later circulated in liberated French colonial territories before metropolitan France was recovered.