| Ön yüz açıklaması |
Dark brown, orange and multicolour. Intaglio portrait of a young African woman with braided hair and beaded jewellery at right, tribal mask vignette at left. Bank title across top, denomination in numeral and lettering below, date at foot. |
| Ön yüz lejandı |
Giriş yapın ayrıntıları görmek için |
| Arka yüz açıklaması |
Dark brown and orange multicolour. Intaglio bust of a young African woman with braided hair and necklace at left, ornate guilloche scrollwork and crowned cartouche at right. Bank title across top, denomination in numeral and lettering at centre right. |
| Arka yüz lejandı |
Giriş yapın ayrıntıları görmek için |
| İmza(lar) |
Giriş yapın ayrıntıları görmek için |
| Koruma türü |
Giriş yapın ayrıntıları görmek için |
| Koruma açıklaması |
Giriş yapın ayrıntıları görmek için |
| Varyantlar |
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The BCEAO was established in 1959 as the successor currency authority to the Institut d'Émission de l'Afrique Occidentale Française, and these early-series 100 Francs notes were among the first issued under the new independent monetary union. Robert Julienne appears across every signature combination throughout the series' run — a fixture of continuity as the left-hand signatories rotated through representatives from different member states, a reflection of the rotating governance structure baked into the union's founding charter.
The sheer number of signature varieties across just four years makes this an unusually document-heavy series for a single denomination. Six recorded combinations in P#101A alone.