100 Francs

Emitent Algeria
Rok 1950-1952
Typ Standard circulation coin
Hodnota 100 Francs
Měna Franc (1848-1959)
Složení Copper-nickel (75% Copper, 25% Nickel)
Hmotnost 12 g
Průměr 30 mm
Tloušťka 2.1 mm
Tvar Round
Technika Milled
Orientace Coin alignment ↑↓
Rytci Pierre Turin
V oběhu do 15 September 1966
Reference KM#93, Schön#3
Popis líce `Marianne` to the right
Písmo líce Latin
Opis líce REPUBLIQUE FRANÇAISE P. TURIN
(Translation: French Republic Pierre Turin)
Popis rubu Value above date, flanked by wheat ears, country below
Písmo rubu Latin
Opis rubu 100 FRANCS 1950 ALGERIE
(Translation: 100 Francs 1950 Algeria)
Hrana Reeded
Mincovna Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Náklad 1950 - Lec# 55 - 22 189 000
1952 - Lec# 56 - 12 000 000
ID Numisquare 1532923560
Další informace

Historical Context: The 100 Francs coin, issued for Algeria between 1950 and 1952, is a poignant numismatic artifact from the final years of French colonial rule. During this period, Algeria was administratively integrated as departments of metropolitan France, reflecting France's ambition for a unified republic. The coin's denomination in Francs underscores this economic assimilation. Its circulation immediately preceded the Algerian War of Independence (1954-1962), imbuing it with significant historical weight as a symbol of a contested era.

Artistry: The coin's design is attributed to Georges Guiraud, a prominent French medallist whose work blended neoclassical and modern elements. The obverse features a dignified portrayal of Marianne, the allegorical personification of the French Republic, depicted with a tiara-like headdress. The reverse presents a distinctive palm tree flanked by a crescent moon and star, symbols often associated with North Africa, alongside the denomination. This fusion of French republican iconography with regional motifs was characteristic of colonial issues.

Technical/Grading: Struck in copper-nickel, with a substantial 30mm diameter and 12g weight, the coin exhibits a robust feel. Key high-points for grading include Marianne’s hair strands, her tiara, and the central fronds of the palm tree on the reverse. Well-struck examples display sharp definition in these areas, though the copper-nickel alloy is susceptible to contact marks. Collectors should seek full separation of palm fronds and clear relief on the crescent and star, as these elements often show weakness.

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