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| 表面の説明 | Multicolor note with a central vignette of a seated woman holding a scepter at left, with a sailing ship rendered in the background at centre. The design is credited to Henri-Camille Danger and engraved by Eugène Gaspérini in intaglio, with denomination numerals and issuer legends arranged across the face. Four distinct signature varieties are known for this type. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Printed predominantly in red, the reverse carries a central vignette of a small sailing boat surrounded by tropical floral motifs, with banana and coconut palm trees framing the composition on either side. An aerial cartographic view of the island appears in the background, evoking the colonial geography of Martinique. The design is attributed to Georges Duval and engraved by Georges Hourriez. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Banque de la Martinique was not a central bank in any modern sense — it was one of several colonial privilege banks established in the French Antilles under 19th-century legislation, with note-issuing rights tied to the plantation economy. By the time this 100 Francs note was issued, the institution operated under close supervision from Paris, and its plates were executed by the Banque de France's own printing workshops — an arrangement that kept colonial currency production firmly under metropolitan control.
Danger and Gaspérini were a well-established pairing at the Banque de France atelier, responsible for some of the more refined intaglio work in the interwar period. The wartime years of this note's validity span — 1940 to 1944 — saw Martinique under the Vichy-aligned administration of Admiral Robert, during which the island was subject to a naval blockade and severe economic disruption.