Vollständige Bilder anzeigen — kostenlose Registrierung
Mit Google fortfahren — kostenlos oder mit E-Mail registrieren

100 Francs

Emittent Banque Internationale à Luxembourg
Jahr 1923-1940
Typ Standard circulation banknote
Nennwert Anmelden um Details zu sehen
Währung Anmelden um Details zu sehen
Material Anmelden um Details zu sehen
Größe Anmelden um Details zu sehen
Form Anmelden um Details zu sehen
Druckerei Anmelden um Details zu sehen
Designer Anmelden um Details zu sehen
Stecher Anmelden um Details zu sehen
Im Umlauf bis Anmelden um Details zu sehen
Referenz(en) Anmelden um Details zu sehen
Vorderseitenbeschreibung Multicolored note in predominant tones of yellow and blue, with a central vignette of a panoramic view of the city of Luxembourg. Inscriptions in French appear along the borders, including the issuing bank name, denomination, and an anti-counterfeiting warning. The design is framed with decorative guilloche patterns typical of the period.
Vorderseitenlegende Anmelden um Details zu sehen
Rückseitenbeschreibung Multicolored reverse in predominant tones of yellow and blue, with a vignette of Vianden Castle positioned at right. The grand ducal coat of arms appears in the background at center, rendered as an underprint element. Decorative guilloche borders frame the composition, consistent with the obverse style.
Rückseitenlegende Anmelden um Details zu sehen
Unterschrift(en) Anmelden um Details zu sehen
Sicherheitsmerkmal Anmelden um Details zu sehen
Beschreibung der Sicherheitsmerkmale Anmelden um Details zu sehen
Varianten Anmelden um Details zu sehen
Anmerkungen

The Banque Internationale à Luxembourg was a private commercial bank, not a central bank — which makes this series unusual by European standards of the period. Luxembourg had no central bank until 1998, and private institutions were authorized to issue notes to fill that gap. The BIL, founded in 1856, was the dominant force in this arrangement for decades.

Pick numbers 9 through 11 reflect signature varieties across the seventeen-year span rather than fundamental design changes — a long run for a private-issue series operating through the Depression years and right up to the German occupation in May 1940, which effectively ended circulation.