目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | The obverse presents an architectural vignette in the Baroque and Rococo style, with a large arched window and ornate doorway rendered in intaglio against a pale green guilloche underprint. These architectural motifs are symbolic representations of European openness and cooperation rather than depictions of any actual monument. The denomination '100' appears at lower left alongside the ECB acronyms in multiple languages — BCE ECB EZB EKT EKP — and the year of issue '2002'. |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | Watermark, Security thread, Hologram |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
The first euro banknotes entered circulation on 1 January 2002 across twelve member states simultaneously — a logistical operation without precedent in monetary history, requiring billions of notes to be pre-positioned in ATMs and bank branches overnight. The 100 euro note of this series was designed by Robert Kalina of the Oesterreichische Nationalbank, whose winning entry in the 1996 ECB design competition used architectural motifs drawn from no single real structure, deliberately avoiding national favoritism.
Production was distributed across multiple national printing works within the Eurosystem, each adding its own printer's code — a single letter identifying the issuing national central bank, not the physical printer. The Bank of Italy's code is "S"; Bundesdruckerei issues carry "X". Collectors tracking production runs use these codes, since print quality and security feature registration vary subtly across facilities.