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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse is executed in green intaglio on a fine guilloche border, with a detailed architectural vignette of Independence Hall in Philadelphia occupying the center, surrounded by trees and set against an open sky. The denomination numeral '100' appears in large ornate lettering at both left and right margins within elaborate scrollwork. The legend 'THE UNITED STATES OF AMERICA' arcs across the top, with 'ONE HUNDRED DOLLARS' in bold letterpress along the bottom and 'INDEPENDENCE HALL' captioned beneath the central vignette. |
| 裏面の銘文 | THE UNITED STATES OF AMERICA INDEPENDENCE HALL ONE HUNDRED DOLLARS |
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| 偽造防止技術 | ログイン して詳細を見る |
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The 1929 Series National Bank Notes were the Federal Reserve's solution to a logistical nightmare: hundreds of individual national banks had been issuing their own large-format notes in competing designs for decades, creating a verification burden for merchants and bank tellers alike. The shift to small-size standardized format in 1929 effectively ended the era of visually distinct regional bank paper — every issuing institution, from major city clearinghouses to one-branch prairie banks, now printed on identical BEP plates with only the bank name, charter number, and officer signatures differentiating one note from another.
Two officer signatures were required — the bank's president and cashier — making each note technically unique to its issuing institution. Banks with low charter numbers, small towns, or short operational histories before the national bank system's 1935 wind-down tend to command serious collector premiums today, irrespective of grade.