Katalog
| Emittent | Government of Antigua & Barbuda |
|---|---|
| Jahr | 1981 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 100 Dollars |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Central vignette in fine relief on a 23K gold foil ground presents a full-rigged sailing vessel identified as Jean Laffite's schooner The Pride, rendered in .999 fine silver with intricate rigging detail against a stylised sea. Denomination numerals "100" appear in bold relief within ornate cartouches at each corner, flanked by elaborate floral and foliate pillar borders. The issuer legend runs along the upper register within a ruled panel, with the vessel identification inscribed to the upper right of the central vignette. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | GOVERNMENT OF ANTIGUA & BARBUDA INDEPENDENCE NOVEMBER 1981 MINISTRY OF FINANCE ONE HUNDRED DOLLARS |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Antigua and Barbuda gained independence from Britain on 1 November 1981, and this note was issued to mark exactly that — a commemorative piece rather than a circulating banknote, with no role in everyday commerce. The Eastern Caribbean Dollar remained the practical currency throughout.
The .999 fine silver substrate with 23K gold foil overlay was a production technique gaining traction among small-island commemorative issuers in the early 1980s, often contracted through specialist manufacturers rather than traditional security printers. Alan D'Estrehan's involvement suggests a regional design commission, though documentation on the actual production facility for this specific issue is limited.