カタログ
登録が必要な理由は?ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します!
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Green intaglio print over a blue and pink multicolour guilloche underprint. The British coat of arms is centrally placed as the principal vignette, flanked by the heraldic mottos HONI SOIT QUI MAL Y PENSE and DIEU ET MON DROIT. The reverse carries the bank's corporate title and charter references in formal letterpress. |
| 裏面の銘文 | BARCLAYS BANK (DOMINION COLONIAL AND OVERSEAS) FORMERLY THE COLONIAL BANK INCORPORATED BY ROYAL CHARTER 1836 REINCORPORATED BY ACT OF PARLIAMENT 1925 $100 HONI SOIT QUI MAL Y PENSE DIEU ET MON DROIT (Translation: Shamed be the one who thinks ill of it. God and my right.) |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Barclays Bank DCO occupied an unusual position in colonial banking: a British commercial bank issuing currency with quasi-official status across multiple territories simultaneously. This $100 denomination would have circulated at a level almost exclusively relevant to large commercial transactions — not street-level trade — and the date range spanning 1937 to 1949 crosses the entire Second World War, during which Barclays DCO maintained operations across its African and Caribbean networks despite severe shipping disruptions and import restrictions on paper stock.
Bradbury, Wilkinson printed the series from their New Malden works, which by this period had decades of colonial currency experience behind them. High-denomination notes of this type were frequently cancelled and retained by the issuing bank rather than destroyed outright, making genuinely circulated survivors rarer than the issue volumes might suggest.