目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | DECRETS DE 21 JANVIER 1875 ET DU 20 FÉVRIER 1888 BANQUE DE L'INDO-CHINE SAIGON HUNDRED DOLLARS CENT PIASTRES TO BE PAID ON DEMAND TO BEARER PAYABLES EN ESPÈCES AU PORTEUR A. BRAMTOT & G. DUVAL FEC. J. ROBERT SC. |
| 背面描述 | The reverse is printed entirely in Chinese characters on a light blue-grey guilloche ground composed of repeating geometric scroll borders arranged in vertical and horizontal bands. The denomination and banking authority are inscribed in vertical columns of Chinese text, with a central oval reserve left blank. Manuscript red ink notations appear diagonally across the face of the note. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
The Banque de l'Indo-Chine held a monopoly on note issue across French Indochina from 1875, renewed repeatedly by colonial decree against persistent opposition from local trading interests who wanted a state bank instead. This 100-dollar note — the dollar denomination tracking the regional Mexican peso–based currency common across Southeast Asian trade — was printed by the Banque de France's own printing works in Paris, which the BIC used for its high-value issues.
Bramtot was a Prix de Rome sculptor whose commercial graphic work appeared on several French colonial issues of the period; Robert's engraving on this series is among the finer intaglio work produced for colonial paper at the turn of the century. Surviving examples in any collectible grade are genuinely uncommon — the BIC routinely repatriated and destroyed worn high-denomination notes rather than recirculate them.