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| 表面の説明 | Left portion carries an intaglio vignette of a seated shepherd in traditional Serbian folk costume playing a flute, with a flock of sheep grazing in the middle ground and a Serbian Orthodox monastery complex visible in the background. The denomination numeral 100 appears at upper left, with the bank title and bearer clause in large Cyrillic letterpress across the top centre. To the right, an ornate panel with interlaced guilloche latticework in a medieval Slavic style frames a large blank watermark window, with the denomination repeated in Cyrillic at lower right; two manuscript signatures appear below the central vignette above the serial number panel. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
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| 偽造防止技術 | Watermark |
| 偽造防止の説明 | ログイン して詳細を見る |
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This note was prepared but never released into circulation — the German occupation authorities who controlled the collaborationist Serbian government ultimately issued a different 100 Dinara type through the Serbian National Bank under their supervision. Whether these were destroyed outright or simply held and later pulped is not fully documented, but surviving examples are genuinely scarce precisely because they were never distributed.
Zlamalik, Krnjajić, and Andrejević Kun were all working within Belgrade's pre-war engraving tradition, and this was one of the last projects they completed before the occupation thoroughly disrupted institutional printing.