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100 Dinara
| Uitgever | Narodna Banka Bosne i Hercegovine (National Bank of Bosnia and Herzegovina) |
|---|---|
| Jaar | 1992 |
| Type | Log in om details te zien |
| Waarde | 100 Dinars (100 динарa) (100 BAD) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse is printed in black on a teal-green guilloche underprint, with a similar radiating lathe-work design filling the centre field. The crowned arms of the Republic of Bosnia and Herzegovina — a shield charged with a hand grasping a sword, surmounted by a royal crown — are positioned at centre within the guilloche. The denomination "STO DINARA / СТО ДИНАРА" appears at the bottom in both Latin and Cyrillic scripts, while the issuing republic's name in both scripts is inscribed at upper left; the serial number and prefix are printed vertically at left in red. |
| Opschrift keerzijde | REPUBLIKA BOSNA I HERCEGOVINA РЕПУБЛИКА БОСНА И ХЕРЦЕГОВИНА STO DINARA СТО ДИНАРА 100 (Translation: Republic of Bosnia and Herzegovina / Republic of Bosnia and Herzegovina / One Hundred Dinars One Hundred Dinars / 100) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Bosnia's earliest independent currency issues were printed in Slovenia because the republic had no domestic printing facility capable of producing banknotes when war broke out in April 1992. Cetis in Celje, a Slovenian security printer with roots going back to the eighteenth century, supplied several of the first Bosnian notes under difficult logistical conditions — getting paper across a fragmenting Yugoslavia was not straightforward.
Dževad Hozo, the designer, is a Sarajevo-born artist of genuine standing, which distinguishes this issue from the purely functional emergency notes that followed once the siege made outside printing nearly impossible to arrange.