Catalogus
| Uitgever | National Bank of Vietnam |
|---|---|
| Jaar | 1972 |
| Type | Log in om details te zien |
| Waarde | 100 Đồng |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Young woman's head in profile. |
| Varianten | Log in om details te zien |
| Opmerkingen |
The National Bank of Vietnam's reliance on Thomas De La Rue for this series reflected a practical reality: the Republic of Vietnam lacked domestic high-security printing capacity throughout its existence, and London remained the consistent supplier for its higher-denomination notes well into the early 1970s. By 1972, the war had produced chronic inflationary pressure — the 100 Đồng note, once a meaningful sum, was losing purchasing power faster than new stock could reach circulation.
P#31 is the final redesign of this denomination before the post-Paris Agreement economic collapse accelerated currency debasement sharply through 1973–74.