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100 Cordobas
| Uitgever | Banco Central de Nicaragua |
|---|---|
| Jaar | 1984-1985 |
| Type | Log in om details te zien |
| Waarde | 100 Cordobas |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | BANCO CENTRAL DE NICARAGUA 100 CIEN CORDOBAS SACUANJOCHE - FLOR NACIONAL (Translation: Central Bank of Nicaragua 100 One Hundred Cordobas Sacuanjoche - National Flower) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Portrait watermark of Augusto César Sandino. |
| Varianten | Log in om details te zien |
| Opmerkingen |
Nicaragua's 1984–85 period was deep into Sandinista economic management, with inflation accelerating sharply — the córdoba was already being eroded well before the catastrophic hyperinflation of the late 1980s that would eventually force a redenomination at 1,000-to-1 in 1988. That Thomas De La Rue continued to print for Managua during this period reflects the practical reality that ideological posture rarely extended to abandoning established security printers when no domestic alternative existed.
P#141 carries only a watermark as its declared security feature — relatively light provision for a high-denomination note, though consistent with the series.