目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面铭文 | EL BANCO CENTRAL DE RESERVA DE EL SALVADOR SAN SALVADOR PAGARÁ EN EFECTIVO AL PORTADOR PIRÁMIDE DEL TAZUMAL SERIE CIEN COLONES DIRECTOR PRESIDENTE GERENTE |
| 背面描述 | The reverse is centred on a circular portrait vignette of Christopher Columbus, enclosed within elaborate guilloche lacework and numerals '100' at each corner. The bank title 'BANCO CENTRAL DE RESERVA DE EL SALVADOR' runs along the upper margin, while the denomination 'CIEN COLONES' appears in a bold panel at the base of the design. The printer's imprint of Thomas De La Rue & Company is present in the lower margin. |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | 登录 以查看详情 |
| 变体 | 登录 以查看详情 |
| 备注 |
The Banco Central de Reserva de El Salvador had relied on Thomas De La Rue for its higher-denomination printing through much of the postwar period, and this series continued that arrangement without interruption. The 100 Colones was the ceiling of everyday commerce in a country where most transactions ran well below it — notes at this level typically saw use in wholesale trade and banking transfers rather than retail.
De La Rue's watermark on cotton substrate was the primary security measure, modest even by the standards of the mid-1970s. The absence of more sophisticated features reflects both the printing contract's terms and El Salvador's relatively contained inflation during this window, before the economic disruptions of the late 1970s political crisis accelerated the colon's erosion.