| Ön yüz açıklaması |
The obverse is printed in reddish-brown tones on a light guilloche underprint. To the right, an intaglio portrait of Simón Bolívar faces three-quarters left, set against a fine rosette pattern. The centre carries the large denomination legend 'CIEN BOLIVIANOS' flanked by the issuer title 'BANCO CENTRAL DE BOLIVIA' across the top, two facsimile signatures with their respective titles below, and the serial number repeated twice in contrasting print. The lower corners bear the numeral '100', and a small vignette of the Bolivian coat of arms appears at lower centre. |
| Ön yüz lejandı |
Giriş yapın ayrıntıları görmek için |
| Arka yüz açıklaması |
The reverse, rendered in the same reddish-brown palette over a complex guilloche underprint, presents a central vignette of the Universidad San Francisco Xavier de Chuquisaca, with its Baroque bell tower and colonnaded courtyard rendered in fine intaglio line work. A domed structure with radiating guilloche patterns occupies the left foreground, while the denomination numeral '100' is positioned at the lower left. The issuer name 'BANCO CENTRAL DE BOLIVIA' appears across the top, and the legend 'CIEN BOLIVIANOS' runs along the lower margin. |
| Arka yüz lejandı |
Giriş yapın ayrıntıları görmek için |
| İmza(lar) |
Giriş yapın ayrıntıları görmek için |
| Koruma türü |
Giriş yapın ayrıntıları görmek için |
| Koruma açıklaması |
Giriş yapın ayrıntıları görmek için |
| Varyantlar |
Giriş yapın ayrıntıları görmek için |
Bolivia's 1986 monetary reform replaced the collapsed peso boliviano at a rate of one million to one — one of the more dramatic redenominations in Latin American history, triggered by hyperinflation that had peaked above 20,000 percent annually in 1985. This note belongs to the first boliviano series issued under that reform, printed by the Canadian Bank Note Company in Ottawa, which had secured several South American central bank contracts during the 1980s.
The security thread on this series runs unwindowed, embedded within the paper rather than surfacing — earlier in CBN's practice for the region than the fenestrated threads that would become standard later in the decade.