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| 表面の説明 | Portrait of King Muhammad Zahir Shah in three-quarter view occupies the left portion of the note, set against a rose-pink guilloche underprint with ornate latticework borders on both sides. The bank title in Pashto and Dari scripts appears in the upper centre, with the denomination '100' printed in numerals at lower left and upper right. Three manuscript signatures of senior bank officials appear across the lower centre, above the state seal of Afghanistan. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Central vignette presents an intaglio rendering of the Masjid Jami (Friday Mosque) of Herat, with its soaring minaret and arched iwan gateway rendered in fine line engraving on a rose-pink ground. The denomination '100 AFGHANIS' is inscribed in Latin script at upper left, with the bank name in Arabic script at upper right and the value in Pashto numerals at lower right. Decorative guilloche borders with floral rosette motifs frame the composition on both sides. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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Da Afghanistan Bank's early note program relied heavily on Thomas De La Rue for production, and this 1961 issue falls within a period of relative monetary stability under Zahir Shah's constitutional monarchy — before the 1963 reforms that would restructure the government and, eventually, the currency apparatus with it. De La Rue's Afghan contracts during this period produced some of the more technically accomplished notes in the region, with consistent watermark registration that later domestic printing could not replicate.
Pick 40 is the second of two 100 Afghani types bearing this general format; it superseded the earlier P#39 issue from 1957.