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100 000 Cruzeiros 2nd Edition, 3rd Type
| Uitgever | Banco Central do Brasil |
|---|---|
| Jaar | 1985 |
| Type | Log in om details te zien |
| Waarde | 100 000 Cruzeiros (100 000 BRB) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Portrait of Juscelino Kubitschek de Oliveira. |
| Varianten | Log in om details te zien |
| Opmerkingen |
The 100,000 Cruzeiros denomination itself tells the story of Brazilian monetary policy in the early 1980s — inflation was running above 200% annually by 1984, forcing the Banco Central to push note values into six-figure territory before the Cruzado reform of 1986 wiped the slate clean with a 1,000-to-1 redenomination. This is among the last issues of that doomed currency.
Czesław Słania's involvement on the obverse is the real point of distinction here. The Polish-Swedish master engraver — credited with over a thousand stamp engravings and regarded as the finest intaglio portraitist of the twentieth century — worked on remarkably few banknotes, making his presence in a Brazilian domestic issue genuinely unusual.