Catalogus
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| Uitgever | Narodowy Bank Polski (National Bank of Poland) |
|---|---|
| Jaar | 1964 |
| Type | Log in om details te zien |
| Waarde | 10 Zlotys (10 Złotych) (10 PLZ) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse features a bold, stylized modernist design composed of a key, a sickle, and a trowel — symbols of industry, agriculture, and construction — arranged together to form a monumental group in high relief at the center of the field. The denomination ZŁ 10 appears in the lower right portion of the field. The word PRÓBA (meaning 'trial' or 'pattern') is inscribed in small letters to the lower left of the central design, identifying this as a pattern strike. The circular legend naming major Polish industrial cities — NOWA HUTA • KĘDZIERZYN • TUROSZÓW • KONIN • PŁOCK • WARSZAWA — runs along the periphery. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Mennica Państwowa (Warsaw Mint) |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The Key, Sickle and Trowel design of 1964 belongs to a broader Polish commemorative program celebrating the twentieth anniversary of the People's Republic — a politically charged series timed precisely to legitimize the postwar communist order. Trial strikes in nickel were produced as pattern submissions before the final alloy decision, and the vast majority never left state hands. Most catalog entries for this type note fewer than five confirmed examples in private collections.