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10 Zlotys 200th Anniversary of the Ossoliński National Institute
| Uitgever | National Bank of Poland (Narodowy Bank Polski) |
|---|---|
| Jaar | 2017 |
| Type | Log in om details te zien |
| Waarde | 10 Zlotys (10 Złotych) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | The obverse features the Polish state eagle to the left of center in the field, with a detailed architectural rendering of the domed rotunda of the Ossolineum building occupying the right portion of the design. The denomination '10 ZŁ' appears in the upper right field. The curved legend 'RZECZPOSPOLITA POLSKA' runs along the left rim, with the date '2017' inscribed in the lower central field. The composition blends heraldic and architectural elements in a refined proof finish. |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | RZECZPOSPOLITA POLSKA 10 ZŁ mw 2017 |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The Ossolineum — formally the Ossoliński National Institute — was founded in Lwów in 1817 by Count Józef Maksymilian Ossoliński, who donated his personal library and art collection to establish what became one of the most important Polish cultural repositories in existence. Its survival across two centuries is genuinely improbable: the institution weathered Austro-Hungarian administration, two world wars, Soviet occupation, and the postwar amputation of Lwów itself from Poland. After 1945, the collections were split — the manuscripts relocated to Wrocław, while much of the art remained in Lwów under Soviet, then Ukrainian, custody.