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| Uitgever | People's Republic of China |
|---|---|
| Jaar | 1994 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Milled |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | 中华人民共和国 中国美术馆 1994 |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Chinese |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
This piece belongs to the Chinese Painting series, which the People's Bank of China launched in the early 1990s to target the international collector market during a period of aggressive expansion in Chinese commemorative coin output. By 1994, the program had grown substantially, drawing on classical Chinese brush painting traditions to produce coins with cultural export appeal at a moment when China was actively cultivating soft-power relationships through trade.
The .900 silver specification — rather than the .999 fine silver common in contemporary issues — reflects production conventions inherited from earlier decades of Chinese mint practice.