Katalog
Warum registrieren? Nur um Bots aus unserem Katalog fernzuhalten. Ihre E-Mail bleibt privat — wir geben sie nie weiter und senden Ihnen nichts Unerwünschtes. Das garantieren wir Ihnen!
| Emittent | Central Bank of China |
|---|---|
| Jahr | 1942 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Vignette of a pai-lou (traditional Chinese ceremonial gate) set among trees occupies the right portion of the note, printed in red-brown on an intricate guilloche underprint. The large Chinese characters 拾圓 (Ten Yuan) appear in the left field within an ornate frame, with the bank title 中央銀行 across the top. Serial numbers are printed in red at upper left and upper right, and the date inscription appears along the lower border. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | THE CENTRAL BANK OF CHINA TEN YUAN 1942 |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Central Bank of China began printing its own notes domestically after the fall of coastal cities made reliance on foreign security printers — De La Rue, American Bank Note Company — logistically untenable. By 1942, the Nationalist government was operating from Chongqing, and wartime inflation was accelerating fast enough that denominations which seemed substantial in the late 1930s were becoming pocket change.
P#247 belongs to a period when the Chongqing presses were under serious strain. Quality control across the series is inconsistent, and ink strike and registration vary noticeably between surviving examples — a direct consequence of wartime production pressures rather than neglect.