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| 正面描述 | Black intaglio print over yellow underprint, with red seals, block numbers, and serial numbers. At right, a bust vignette of Wake no Kiyomaro in three-quarter front-left view; the Chrysanthemum Seal is centered at top, with Arabic numeral denomination at upper-left and lower-right corners and Kanji seal-script denomination at upper-right and lower-left corners. Boars in motion form the decorative border running along the top and bottom frames, with the Governor of the Bank of Japan seal at lower-left. |
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| 正面铭文 | 10 拾 和氣清麻呂卿 券銀換兌行銀本日 日 圓拾 本 候可相拾銀へ引此 銀 也申渡圓貨尓か券 行 す奉条換第太五明 るし例銀十政月治 もてを行八官廿十 の發遵券號布六七 也行 兌告日年 之總 印裁 断シ條ノ造刑ル造偽行兌 ステニ各紙法罪ニ造券換 處照本幣偽ハ係變ノ銀 拾 10 造幣局刷印府政國帝本日大 (Translation: Bank of Japan convertible note Bank of Japan Ten yen This bill can be exchanged for ten yen in gold. These are issued in compliance with the provisions of the Ordinance of the Grand Council of State No. 18 of May 6th, year 17 of Meiji (1884) on convertible banknotes. The crime of altering and reproducing a convertible banknote shall be dealt with in accordance with this article 12 of the Penal Code. Wake no Kiyomaro Empire of Japan Printing Bureau) |
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The nickname 'Omote-Inoshishi' — "front boar" — comes from the wild boar imagery incorporated into the design, one of several animal-themed Meiji-era notes that collectors use to distinguish issues within what would otherwise be an unwieldy numbering system. Chiossone, the Genoese engraver hired by the Meiji government in 1875 to establish and run the nascent printing bureau, designed and engraved this note himself — an unusual degree of single-handed control over a high-denomination issue.
By 1890 the bureau had absorbed enough technique that production was fully domestic, a point of some national pride given how recently foreign expertise had been considered indispensable.