Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Norges Bank |
|---|---|
| Year | 1833 |
| Type | Standard circulation banknote |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Blank. |
| Reverse lettering | Log in to see details |
| Signature(s) | Log in to see details |
| Protection type | Watermark |
| Protection description | Log in to see details |
| Variants | Log in to see details |
| Comments |
Norges Bank's earliest decades were marked by chronic distrust of paper money — understandable, given that the bank was founded in 1816 in the immediate aftermath of Norway's separation from Denmark and the financial wreckage that followed the Napoleonic period. The speciedaler itself was a relatively new unit, replacing the rigsdaler as Norway's standard, and large-denomination notes like this 10 Speciedalere were instruments of commercial settlement rather than everyday exchange.
Grosch was primarily an architect — he designed the Exchange building in Christiania and much of early nineteenth-century Norwegian civic infrastructure. His involvement in banknote engraving reflects how small the available pool of skilled craftsmen was in Norway at the time.