Danh mục
| Đơn vị phát hành | Latvia |
|---|---|
| Năm | 1922 |
| Loại | Standard circulation coin |
| Mệnh giá | 10 Santimu (0.10) |
| Tiền tệ | Old lats (1922-1940) |
| Chất liệu | Nickel |
| Trọng lượng | 3 g |
| Đường kính | 19 mm |
| Độ dày | 1.4 mm |
| Hình dạng | Round |
| Kỹ thuật | Milled |
| Hướng | Medal alignment ↑↑ |
| Nghệ nhân khắc | Rihards Zariņš |
| Lưu hành đến | 25 March 1941 |
| Tài liệu tham khảo | KM#4, Schön#4 |
| Mô tả mặt trước | National arms above ribbon |
|---|---|
| Chữ viết mặt trước | Latin |
| Chữ khắc mặt trước | 1922 LATVIJA HUGUENIN |
| Mô tả mặt sau | Value and date |
| Chữ viết mặt sau | Latin |
| Chữ khắc mặt sau | 10 Santimu R. ZARRINS |
| Cạnh | Plain |
| Xưởng đúc | |
| Số lượng đúc |
1922 - - 15 000 000 |
| ID Numisquare | 8040216010 |
| Thông tin bổ sung |
Historical Context: The 1922 10 Santimu coin emerged during the First Latvian Republic (1918-1940), a crucial period following Latvia's declaration of independence from the Russian Empire. Under its democratic government, this coinage asserted national sovereignty. The santimu currency system was vital for economic stability and nation-building, replacing foreign denominations and symbolizing self-determination post-World War I. This era marked a definitive break from centuries of foreign rule, establishing a distinct national identity and economic framework for the nascent state.
Artistry: The coin's design is attributed to the esteemed Latvian artist Rihards Zariņš, whose style blended national romanticism with a neoclassical aesthetic. The obverse proudly features the Latvian coat of arms: a rising sun, three stars representing historical regions, and the lion and griffin supporters, with "LATVIJAS REPUBLIKA" and the date. The reverse displays the "10 SANTIMU" denomination elegantly framed within an oak leaf wreath, a powerful national symbol of strength and endurance, reflecting the nation's resilience and aspirations.
Technical/Grading: Struck in nickel, this 3-gram, 19mm coin typically exhibits a sharp strike. Key high-points for assessing wear include the central sun's rays and the details of the lion and griffin on the obverse. On the reverse, the fine veins of the oak leaves and the raised "10 SANTIMU" lettering are critical. While generally well-executed, minor softness can appear on the coat of arms' finer elements or the wreath's extremities, and smooth fields are prone to showing contact marks, impacting higher grades.