Каталог
| Эмитент | Tunisia |
|---|---|
| Год | 1864-1871 |
| Тип | Standard circulation coin |
| Номинал | 10 Rial |
| Валюта | Rial (1567-1891) |
| Состав | Gold (.900) |
| Вес | 1.97 g |
| Диаметр | 19 mm |
| Толщина | |
| Форма | Round |
| Техника | Milled |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | KM#150 |
| Описание аверса | |
|---|---|
| Письменность аверса | Arabic |
| Надписи аверса | |
| Описание реверса | |
| Письменность реверса | Arabic |
| Надписи реверса | |
| Гурт | |
| Монетный двор | |
| Тираж |
1280 (1864) - ١٢٨٠ - 1281 (1865) - ١٢٨١ - 1281 (1865) - ١٢٨١ Proof Sets (KM#PS1) - 1284 (1868) - ١٢٨٤ - 1287 (1870) - ١٢٨٧ - 1288 (1871) - ١٢٨٨ - |
| ID Numisquare | 1017980570 |
| Дополнительная информация |
Historical Context: This 10 Rial gold coin, issued 1864-1871, serves as a tangible artifact of Tunisia's intricate political status under Muhammad III al-Sadiq Bey (1859-1882). Bearing the names of both Ottoman Sultan Abdulaziz and the Husainid Bey, it underscores the nominal Ottoman suzerainty, even as the Beylik pursued internal reforms. This period immediately precedes the French protectorate, making the coin a significant witness to Tunisia's modernization efforts amidst increasing European influence.
Artistry: The design of this 10 Rial piece exemplifies the traditional Islamic numismatic aesthetic prevalent in the Ottoman sphere. Lacking figural representations, its artistry centers on sophisticated calligraphy. The obverse typically features Sultan Abdulaziz's intricate Tughra, a stylized calligraphic monogram symbolizing imperial authority. The reverse presents Muhammad III's titulature, along with the mint (Tunis) and Hijri date, all rendered in elegant Arabic script, consistent with period stylistic conventions.
Technical/Grading: Struck in .900 fine gold, this small module (19mm, 1.97g) coin demands a precise strike for full detail. High-points susceptible to wear or weakness include the raised flourishes of the Sultan's Tughra and the uppermost serifs and terminal strokes of the Arabic legends. Collectors should examine the sharpness of calligraphic elements, the evenness of the strike, and overall planchet quality, as minor inconsistencies were common for coinage produced with period minting technology.