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10 Piso Ang Bagong Lipunan, Seal type 2
| Uitgever | Bangko Sentral ng Pilipinas |
|---|---|
| Jaar | 1973-1985 |
| Type | Log in om details te zien |
| Waarde | 10 Pesos (10 piso) (10 PHP) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Intaglio-printed bust of Apolinario Mabini facing three-quarters right occupies the left third of the note, captioned below with his name, set against an intricate guilloche underprint in red and green tones. The central field carries the diagonal overprint "ANG BAGONG LIPUNAN" in green, flanked by elaborate lathe-work rosettes, with two signature lines below reading "PANGULO NG PILIPINAS" and "TAGAPANGASIWA NG BANGKO SENTRAL." A circular green and red denominational vignette bearing "10 PISO" appears at upper right, and the Bangko Sentral ng Pilipinas seal of 1949 is positioned at lower right. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | SIMBAHAN NG BARASOAIN SAMPUNG PISO (Translation: Barasoain Church Ten Pesos) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The "Ang Bagong Lipunan" inscription — meaning "The New Society" — was Marcos's declaration in print. After declaring martial law in September 1972, his regime rebranded the currency series itself as propaganda, embedding the slogan directly into the note design. Seal type 2 distinguishes this issue from the transitional type 1 variants that appeared at the series' opening, with the seal change tracking administrative reorganizations within the Bangko Sentral during the martial law period.
Thomas De La Rue's involvement brought consistent intaglio quality to the series, though the long print run from 1973 to 1985 means surviving examples span a wide range of wear.