目录
| 发行方 | Abbach, Market town of |
|---|---|
| 年份 | |
| 类型 | Emergency coin |
| 面值 | 10 Pfennigs (10 Pfennige) (0.10) |
| 货币 | Mark (1914-1924) |
| 材质 | Zinc |
| 重量 | 1.2 g |
| 直径 | 20.0 mm |
| 厚度 | 0.8 mm |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Men05#117.5, Men18#180.5 |
| 正面描述 | Pearl rim, legend surrounding liberation hall. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | PORTLANDZEMENTWERKE ABBACH A.D. DONAU |
| 背面描述 | Pearl rim, legend surrounding with denomination centered |
| 背面文字 | Latin |
| 背面铭文 | KRIEGSMÜNZE 10 ★ PFENNIG ★ |
| 边缘 | Plain |
| 铸币厂 | |
| 铸造量 |
ND - 3 Var. - |
| Numisquare 编号 | 3321061870 |
| 附加信息 |
Historical Context: This 10 Pfennig token from Abbach Portlandzementwerke represents German Notgeld (emergency money) issued during World War I and its immediate aftermath (c. 1914-1923). From a private company in Abbach, Bavaria, these tokens addressed critical shortages of official small change caused by hoarding and metal scarcity. Such company issues were vital for local commerce, paying wages, and maintaining economic stability within their operational sphere, illustrating pragmatic, decentralized responses to economic distress.
Artistry: The artistic execution of this 10 Pfennig token reflects a utilitarian, functional aesthetic, characteristic of emergency coinage. Specific engravers are rarely documented. The design prioritizes clarity and immediate recognition, prominently featuring the issuer, "Abbach Portlandzementwerke," and the denomination, "10 Pfennig," usually in a straightforward block or sans-serif style. Decorative elements, if present, would be minimal—perhaps a simple border or company emblem—emphasizing practicality over elaborate artistic expression.
Technical/Grading: Struck in zinc, this 20.0 mm, 1.2 gg token presents preservation challenges. High-points susceptible to wear include the raised lettering of the issuer's name and denomination. Zinc's inherent instability makes these tokens highly prone to corrosion, pitting, and crystallization, often resulting in rough surfaces or detail obliteration. Technical strike quality is frequently inconsistent; strikes can be weak or uneven, leading to flat areas. Collectors prioritize specimens with minimal environmental damage and legible inscriptions.