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| 表面の説明 | Pink guilloche underprint covers the field, framed by an ornate green ivy and floral border with small town arms vignettes in the upper corners. The text 'GUTSCHEIN der Stadtgemeinde Triebes/Reuss. über' appears in the upper portion in Gothic blackletter, above the large denomination inscription 'Zehn Pfennig' in bold blackletter script. The lower section bears the numeral '10' in circular cartouches at each corner, the validity clause 'Nur gültig im Stadtbezirk Triebes', the date 'Triebes 1.3.1920', and a facsimile signature with the title 'Bürgermeister'. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The central vignette, executed in a bold woodcut style, portrays a craftsman at a workbench planing a board, with a large cabinet or bookcase visible in the background, evoking the local furniture industry. The denomination numeral '10' appears in circular cartouches at all four corners within the same green ivy and floral border that frames the note. The header inscription 'Triebeser Kunst-Möbel-Industrie' runs across the top, and the printer's imprint 'Künstlerpresse, Dresden-A.' is set in the lower margin. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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Triebes was a small textile-manufacturing town in the Reuss principality — by 1920 absorbed into Thuringia — and like hundreds of similarly sized German municipalities it issued Kleingeldscheine when the postwar coin shortage left ordinary commerce unable to make change. The Künstlerpresse in Dresden was not a banknote printer in any conventional sense but a fine-arts press, which occasionally shows in the production quality of Reuss notgeld from this period.
Reuss notgeld as a collecting category is unusually dense given the territory's small population, a consequence of both the principality's fragmented administrative history and the enthusiasm of local issuing bodies in 1920.