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10 Pfennig

Uitgever Universitätsstadt Jena (Thuringia), City of
Jaar 1920
Type Log in om details te zien
Waarde 10 Pfennigs (10 Pfennige) (0.10)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Opschrift voorzijde Universitätsstadt Jena
Gutschein über
Pf. 10 Pf.
Jena, den 1. August 1920.
Der Gemeindevorstand.
Oberbürgermeister
Gültig nur im Stadtbezirk Jena. Ummechslung jederzeit in Reichsgeld bei allen städtischen Kassen.
Beschluß des Gemeinderates vom 1. März 1917.
Beschrijving keerzijde Dark green letterpress note on cream paper within an identical guilloche border. A central heraldic shield vignette presents the full arms of Jena, a standing female saint figure flanked by twin church towers, set against a circular cartouche. The denomination is stated in Gothic script as 'Zehn Pfennig', with 'Stadt' to the left and 'Jena' to the right. Below the vignette, a block of legal text warns against counterfeiting and sets conditions for redemption. A bold serial number appears at the foot, with the printer's imprint 'GEBR. PARCUS. MÜNCHEN.' at the very bottom margin.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

Jena's 1920 Notgeld series was produced at a moment when municipal authorities across Weimar Germany were printing emergency small-denomination notes not merely out of necessity, but with deliberate civic pride — Jena being a university town had an obvious interest in presenting something more refined than the average rural Gemeinde issue. Gebrüder Parcus in Munich handled a substantial volume of Notgeld commissions during this period and brought consistent lithographic quality to what were essentially throwaway instruments.

The paper composition and the printer's Munich origin are worth distinguishing: Parcus printed for dozens of issuing municipalities, so shared design elements across their client commissions are not uncommon and can create misattribution problems for collectors working from imagery alone.

MISSCHIEN OOK INTERESSANT