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| Emittent | Dominican Republic (1844-date) |
|---|---|
| Jahr | 2000 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Milled |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | The facade of the historic Iglesia de Bánica is rendered in fine relief at the center of the field, depicting the stone church's arched entrance doorway with wrought-iron gate, flanking pilasters, a small bell arch to the right, and sparse vegetation to either side, all resting on a ground line. The series title IGLESIAS COLONIALES curves along the upper periphery, while the individual church name IGLESIA DE BÁNICA is inscribed in two lines along the lower arc of the legend. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | IGLESIAS COLONIALES IGLESIA DE BÁNICA (Translation: Colonial Churches Banica Church) |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Bánica is a small town in the Elías Piña province, pressed hard against the Haitian border in one of the most economically isolated corners of Hispaniola. The church commemorated here survived the brutal 1937 Parsley Massacre — Trujillo's systematic slaughter of Haitian migrants along that same frontier — though the surrounding region was left deeply scarred.
The 2000 series of which this piece forms a part was struck to highlight endangered or historically neglected Dominican architectural heritage, a program as much political as cultural given the country's complicated relationship with its own colonial past.