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10 Marks MIAMA, Mitteldeutsche Ausstellung für Siedelung Sozialfürsorge und Arbeit Magdeburg 1922

Uitgever City of Magdeburg (Notgeld, Prussian Province of Saxony)
Jaar 1922
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Paper
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
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Beschrijving voorzijde The central vignette presents a stylised Art Deco flower rendered in blue, red, and grey, its petals forming sweeping leaf-like fronds radiating outward from a stem; at the flower's centre sits a circular medallion bearing a blue letter 'M' on a dark ground surrounded by red petals. The denomination '10 M' appears in bold black letterpress within decorative cartouches at upper left and upper right, framed by vertical side panels carrying the note's redemption conditions. A lower panel inscribed 'MIAMA 1922 MAGDEBURG DAS DIREKTORIUM' carries two manuscript facsimile signatures.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde WIR WISSEN WAS WIR WOLLEN UND
ZEIGEN WAS WIR KÖNNEN AUFBAUEN
MAGDEBURG
DIE NEUE STERNBRÜCKE ERÖFFNET 1922
10 M
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

MIAMA — Mitteldeutsche Ausstellung für Siedelung, Sozialfürsorge und Arbeit — was a regional trade and social welfare exhibition held in Magdeburg in 1922, and this 10 Mark note was issued as Serienschein, collector-oriented Notgeld rather than emergency currency. By mid-1922 German inflation had made low-denomination notes economically trivial, and municipalities had long since learned that souvenir issues sold to collectors generated real revenue. Magdeburg's city administration issued this piece explicitly to profit from that market.

Brückner's press in Magdeburg handled the printing locally, which was practical given the exhibition's civic character. The series is well-documented but individual pieces in undamaged condition are harder to locate than the print run might suggest — souvenir buyers were not always careful keepers.

MISSCHIEN OOK INTERESSANT