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10 Lei Snagov Monastery

Uitgever National Bank of Romania
Jaar 2007
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Fourth leu (2005-date)
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde ROMANIA 10 LEI 2007
Beschrijving keerzijde The reverse presents a detailed architectural rendering of Snagov Monastery, depicting the church facade with its characteristic Wallachian Brâncovenesc-style arched galleries, multiple domes surmounted by Orthodox crosses, and ornate stonework. The monastery is shown in three-quarter perspective, occupying the lower and central field. To the upper right, a portrait bust of a bearded male figure — likely Vlad the Impaler, traditionally associated with Snagov — is rendered in high relief. The inscription 'MANASTIREA' appears along the left arc and 'SNAGOV' along the lower right arc, completing the legend.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Snagov Monastery sits on a small island in Snagov Lake north of Bucharest, and has been linked since the 19th century to the burial site of Vlad III — Vlad the Impaler — though excavations in 1933 found only animal bones beneath the supposed grave marker inside the church. The Romanian state has never officially resolved the question.

This is one of several silver commemoratives the National Bank issued through the mid-2000s documenting Orthodox monastic architecture, a program that accelerated notably after Romania's EU accession negotiations brought renewed institutional interest in cultural heritage documentation.

MISSCHIEN OOK INTERESSANT