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10 Kuna
| Uitgever | Narodna Banka Hrvatske (National Bank of Croatia) |
|---|---|
| Jaar | 1993 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Kuna (1994-2022) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Watermark portrait of Juraj Dobrila, visible in the blank left margin area of the obverse |
| Varianten | Log in om details te zien |
| Opmerkingen |
Croatia's first post-independence banknote series, introduced in 1993 after the kuna replaced the Croatian dinar, was printed by Giesecke & Devrient in Leipzig — a politically neutral choice that kept production abroad during a period of active armed conflict on Croatian territory. The kuna itself was a deliberately loaded revival: the currency had last circulated under the Ustasha regime of the 1940s, and its reintroduction drew immediate criticism from Serbia and international observers, though Zagreb argued the name simply referenced the historical marten-pelt trade unit.
Father and son Miroslav and Šimun Šutej designed the full series. Miroslav was among Croatia's most recognized graphic artists, and his involvement gave the notes a coherence that distinguished them from the rushed emergency issues they replaced.