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| Emittent | Norges Bank |
|---|---|
| Jahr | 1944 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Printed in red and green, the obverse is dominated by the crowned Norwegian coat of arms as a central vignette at the upper portion of the note, flanked on either side by the denomination numeral. The issuing authority, war issue designation (KRIGSSEDDEL), and year are rendered in letterpress, with the authorization clause IFØLGE SÆRSKILT FULLMAKT inscribed below. A fine guilloche underprint covers the field, providing decorative background patterning across the entire face. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | 10 H7 10 TI KRONER WATERLOW & SONS LIMITED, LONDON |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Norges Bank relocated its operations to London after the German invasion of April 1940, and the exile government continued issuing currency from Britain throughout the occupation. These 1944 notes were produced by Waterlow & Sons and intended for use following liberation — they were not generally circulated inside occupied Norway, where the collaborationist Reichskommissariat controlled the money supply.
The P#20B designation distinguishes this printing from earlier exile issues. Waterlow held contracts with numerous governments-in-exile during the war, and the Norwegian series was among the more straightforward technically, using pre-war design plates rather than newly commissioned artwork.