目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | At centre, a portrait vignette of the lyric poet and editor Aleksa Šantić (1868–1924) is set against an intricate guilloche rosette, with his name and life dates inscribed below. The bilingual bank title in Cyrillic and Latin script runs across the upper register, while the denomination in both scripts appears along the left margin and lower area. A rhombus-shaped security device is positioned at the right edge. |
|---|---|
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 签名 | 登录 以查看详情 |
| 防伪类型 | 登录 以查看详情 |
| 防伪描述 | Aleksa Šantić's portrait; embedded security thread with microtext |
| 变体 | 登录 以查看详情 |
| 备注 |
The konvertibilna marka was introduced in 1998 under the Dayton Agreement's financial architecture, pegged to the Deutsche Mark at par and subsequently locked to the euro at 1.95583 — a rate it still holds. That fixed peg, enforced by a currency board arrangement with no capacity for discretionary monetary policy, was the entire point: post-war Bosnia needed an anchor no domestic institution could undermine.
Oberthur's Chantepie facility handled the bulk of KM production across multiple series. The P#73 is a revised issue within an otherwise conservative series — security upgrades rather than a redesign.