Catalogus
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| Uitgever | Westphalia, Kingdom of |
|---|---|
| Jaar | 1813 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Round |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | KOEN·V·WESTPH·FR·PR. 10 FRANK. C 1813 |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Westphalia was already collapsing around Jérôme when this pattern was struck. Napoleon's catastrophic Russian campaign had gutted the kingdom's military and treasury, and by late 1813 Jérôme would flee Kassel entirely as allied forces closed in. That a 10 Franc pattern in bronze-plated tin was being tested at all in this environment suggests either bureaucratic inertia or a last-ditch attempt to establish a workable low-denomination coinage for a realm that had weeks left to exist.
The tin core beneath the bronze plating is consistent with wartime material substitution practiced across Napoleonic dependencies after 1812.