カタログ
| 発行体 | Rwanda |
|---|---|
| 年号 | 1964 |
| 種類 | Coin pattern |
| 額面 | 10 Francs |
| 通貨 | Franc (1964-date) |
| 材質 | Copper-nickel |
| 重量 | |
| 直径 | |
| 厚さ | |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | |
| 彫刻師 | Carlos van Dionant |
| 流通終了年 | |
| 参考文献 | KM#E3 |
| 表面の説明 | Value above the coat of arms of Rwanda. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 |
DIX · FRANCS 10 REPUBLIQUE RWANDAISE LIBERTE - COOPERATION - PROGRES (Translation: Five francs. Republic of Rwanda. Freedom - Cooperation - Progress.) |
| 裏面の説明 | Head of Grégoire Kayibanda facing front-right. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 |
BANQUE NATIONALE DU RWANDA CVD ESSAI · 1965 · (Translation: National Bank of Rwanda. Trial.) |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
1964 - - |
| Numisquare ID | 5639839900 |
| 追加情報 |
Historical Context: This 1964 10 Francs pattern coin emerges during a pivotal period for Rwanda, just two years after achieving independence from Belgian rule in 1962. Under its first President, Grégoire Kayibanda, the nascent First Republic sought to forge a distinct national identity, including its own currency. This copper-nickel pattern represents an experimental phase in defining the nation's coinage, signaling a decisive move away from colonial monetary vestiges towards self-determination.
Artistry: While the specific engraver is often unrecorded for early post-colonial patterns, this 10 Francs piece reflects a modernist stylistic school, common for new republics establishing their visual language. The obverse likely features the national emblem, often depicting symbols of agricultural prosperity and unity, such as a hoe and arrow, encircled by 'REPUBLIQUE RWANDAISE' and the date. The reverse prominently displays '10 FRANCS', often with a motif representing progress, executed with clean lines and strong relief.
Technical/Grading: As a pattern coin, this piece typically exhibits an exceptionally sharp strike, often superior to regular circulating issues. Key high-points for wear assessment include raised elements of the national emblem on the obverse, such as the tips of the hoe or arrow, and the highest points of the lettering. On the reverse, denomination numerals and central design elements are critical. The copper-nickel composition ensures durability; collectors should seek pristine fields, full luster, and absence of planchet flaws, characteristic of carefully produced pattern issues.