Catalogus
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| Uitgever | Swiss Federal Treasury (Cassa Federale) |
|---|---|
| Jaar | 1914 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | 30 June 1926 |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Blue note with Italian-language text. A vignette of Libertas appears at left and William Tell at right, with the Swiss arms at top centre. The face value is repeated in all four corners within ornate guilloche borders, and the treasury obligation text is printed in intaglio across the centre field. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | 10 DIX FRANCS DIECI FRANCHI 10 |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Switzerland's entry into emergency paper money in August 1914 was abrupt. The Federal Council authorized the Cassa Federale notes within days of the European mobilization, bypassing the Swiss National Bank entirely — a decision that created an awkward parallel currency that remained technically in circulation until 1920. Bradbury Wilkinson, already well-regarded for their intaglio security work across colonial and European contracts, handled the printing in London under considerable time pressure.
The Italian-text variant reflects Switzerland's constitutional obligation to serve all three of its main linguistic communities simultaneously. Ernst Stückelberg, the Basel painter best known for his Tell frescoes at Bürglen, contributed the design — an unusual choice of a fine artist over a commercial illustrator for what was essentially a wartime stopgap instrument.