See full images — free registration
Continue with Google — it's free or register with email

10 Escudos

Issuer Banco Nacional Ultramarino
Year 1921
Type Log in to see details
Value Log in to see details
Currency Escudo (1914-1974)
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Brown intaglio print on multicolour guilloche underprint. Portrait vignette of Francisco de Oliveira Chamiço at left, the Portuguese Coat of Arms at lower centre, and the bank seal at right. Two overprinted red legends reading 'S. TOMÉ e PRÍNCIPE' appear on the face.
Obverse lettering BANCO NACIONAL ULTRAMARINO PROVINCIA DE S. TOMÉ e PRÍNCIPE DEZ ESCUDOS PAGAVEL NAS DEPENDENCIAS DA PROVINCIA DE S. TOMÉ e PRÍNCIPE LISBOA, 1 de Janeiro de 1921. BRADBURY, WILKINSON & Co. Ld. GRAVADORES, LONDRES
(Translation: National Overseas Bank Province of St. Thomas and Prince Ten Escudos Payable at the branches of the Province of St. Thomas and Prince Lisbon, 1 January 1921. Bradbury, Wilkinson & Co. Ltd. Engravers, London)
Reverse description Log in to see details
Reverse lettering Log in to see details
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

Banco Nacional Ultramarino occupied an unusual position in Portuguese finance — a private institution holding the note-issuing concession for Portugal's overseas territories rather than the metropolitan Banco de Portugal. This 1921 10 Escudos was issued for circulation in Portuguese Guinea, one of several West African territories served by BNU paper during this period, when the escudo had only recently replaced the mil-réis system following the 1911 monetary reform.

Bradbury, Wilkinson produced some of the more technically accomplished colonial currency of the early twentieth century, and their intaglio work for BNU was no exception. The paper itself is known to brown unevenly with age — examine the margins carefully against the central field before grading.