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| Emittent | Republic of Liberia |
|---|---|
| Jahr | 2007 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Round |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
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| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | A detailed high-relief rendition of the iconic Byzantine-style icon of the Black Madonna of Częstochowa dominates the field, depicting the Virgin Mary in a frontal three-quarter bust, draped in an ornate mantle richly decorated with fleur-de-lis motifs, her hands clasped in a devotional gesture. The Infant Jesus is portrayed to her right, holding a book and raising one hand in blessing, also adorned in an elaborately patterned robe. Both figures bear gilt gold-plated halos, providing a striking bichrome contrast against the frosted silver field. The characteristic twin scar marks are visible on the Virgin's right cheek, faithfully reproducing the venerated original painting. The legend THE BLACK MADONNA · 2007 · OF CZĘSTOCHOWA is inscribed along the lower periphery in incuse lettering. |
| Reversschrift | Latin |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
The Black Madonna of Częstochowa is housed at the Jasna Góra Monastery in southern Poland, where it has been venerated since at least the 14th century. The icon's darkened appearance — the origin of the epithet — results from centuries of candle smoke and oxidized varnish, not from any original pigmentation. During the Swedish invasion of Poland in the 1650s, the successful defense of Jasna Góra against Deluge-era forces elevated the image to near-dynastic status; King John II Casimir subsequently declared the Madonna Queen of the Polish Crown in 1656.
Liberia's involvement here is purely commercial — the republic issued dozens of silver devotional pieces in this period under licensing arrangements targeting the European Catholic collector market.