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| Uitgever | Niue |
|---|---|
| Jaar | 2019 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Obverse: Zbyněk Fojtů, Ian Rank-Broadley Reverse: Zbyněk Fojtů |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Smooth |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
This piece belongs to a short-lived Niuean series pairing composers whose connection lies in their shared Moravian roots — Mansfeld, largely forgotten outside specialist circles, and Leoš Janáček, whose late-career operas secured him a permanent place in the repertory. Janáček spent most of his life in Brno, drawing heavily on Moravian folk speech rhythms as the structural basis for his vocal writing, a technique he called "speech melody."
The 7.78g format is the standard quarter-ounce gold specification used across dozens of collector issues from Pacific Island jurisdictions.