Katalog
Warum registrieren? Nur um Bots aus unserem Katalog fernzuhalten. Ihre E-Mail bleibt privat — wir geben sie nie weiter und senden Ihnen nichts Unerwünschtes. Das garantieren wir Ihnen!
| Emittent | Liberia |
|---|---|
| Jahr | 2002 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 10 Dollars |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Full-figure or three-quarter bust portrait of Charlie Chaplin in his iconic 'Tramp' character, wearing his distinctive bowler hat, facing slightly left. The figure is rendered in fine relief against a plain field. The legend CHARLIE CHAPLIN arcs along the upper periphery. The birth and death years 1889 and 1977 appear on either side of the lower field, with the denomination 10 DOLLARS inscribed below in a beaded border. |
| Reversschrift | Latin |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Liberia issued a wave of celebrity-themed gold minors in the early 2000s, targeting the collector market rather than any domestic monetary function. These pieces were never intended for circulation and were sold primarily through international dealers and home-shopping channels at prices built around novelty rather than bullion content.
At 1.25 g of .999 gold, the metal value has always been modest — the play here was always the theme, not the weight.