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10 Dinara Italian occupation - Overprint: VERIFICATO
| Uitgever | Narodna Banka Kraljevine Jugoslavije (National Bank of the Kingdom of Yugoslavia) |
|---|---|
| Jaar | 1941 |
| Type | Log in om details te zien |
| Waarde | 10 Dinars (10 Dinara) |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | At right, a waist-length intaglio vignette of a female allegorical figure rendered in medieval style, wearing a veil and a crown, holding a sword in her raised right hand as a symbol of power and a closed book pressed to her chest as a symbol of knowledge. The denomination and bank name appear in Latin script across the design, with guilloche underprint ornamentation. A watermark area is reserved at the left. |
| Opschrift keerzijde | NARODNA BANKA KRALJEVINE JUGOSLAVIJE PLAĆA DONOSIOCU DESET 10 ДЕСЕТ DINARA FALSIFIKOVANJE NOVČANICA KAZNI SE PO PROPISIMA KRIVIČNOG ZAKONIKA KOJI VREDE ZA KRIVICE ZBOG PRAVLJENJA LAŽNOG NOVCA П. ЈОВАНОВИЋ FEC. ВЕЉКО А. КУН SC. (Translation: NATIONAL BANK OF THE KINGDOM OF YUGOSLAVIA PAYS TO THE BEARER TEN 10 DINARS FORGERY OF BANKNOTES IS PUNISHED ACCORDING TO THE REGULATIONS OF THE CRIMINAL CODE WHICH APPLY TO CRIMES OF MAKING COUNTERFEIT MONEY) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
When Italian forces occupied parts of Yugoslavia in 1941, existing Yugoslav banknotes were overstamped "VERIFICATO" — verified — as a control measure to distinguish currency that had passed through Italian administrative hands. This was not a reissue but a bureaucratic filter, applied to notes already in circulation to track and limit monetary flows in the occupied territories.
The underlying note was engraved by Veljko Andrejević Kun, one of the more accomplished printmakers working in interwar Belgrade. The overprint transforms it into an occupation document as much as a monetary instrument.