Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Central Bank of The Gambia |
|---|---|
| Year | 2001-2005 |
| Type | Log in to see details |
| Value | 10 Dalasis |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Predominantly green note with a central vignette of an African Sacred Ibis (Threskiornis aethiopicus) perched on a branch amid foliage and a decorative geometric guilloche underprint. A portrait of a young Gambian male appears at the right, rendered in intaglio. Two facsimile signatures appear at the lower left, attributed to the Governor and General Manager respectively, above the denomination in both Latin and Arabic script. |
|---|---|
| Obverse lettering | CENTRAL BANK OF THE GAMBIA PROMISE TO PAY ON DEMAND THE SUM OF TEN DALASIS GOVERNOR GENERAL MANAGER 10 |
| Reverse description | Log in to see details |
| Reverse lettering | Log in to see details |
| Signature(s) | Log in to see details |
| Protection type | Log in to see details |
| Protection description | Log in to see details |
| Variants | Log in to see details |
| Comments |
The Central Bank of The Gambia's P#21 series coincided with a period of sustained political consolidation under Yahya Jammeh, who had seized power in a bloodless coup in 1994 and by 2001 was governing through a nominally civilian framework following a contested presidential election that international observers widely criticized. The note entered circulation as the dalasi was under chronic pressure from Gambia's narrow export base — groundnuts and tourism — leaving the currency vulnerable to seasonal devaluation cycles throughout the early 2000s.
Thomas De La Rue's production for this series employed a security thread specification typical of their West African client work of the period, though the watermark pairing kept authentication accessible without sophisticated equipment — a practical choice for a country where rural market transactions dominated daily commerce.