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10 Cruzeiros Thesouro Nacional, 2nd print, Autographed
| Uitgever | Tesouro Nacional do Brasil |
|---|---|
| Jaar | 1950 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Paper |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Green intaglio and offset on polychrome underprint. A central vignette presents the portrait of Getúlio Dornelles Vargas, President of the Republic (1930–1945 and 1951–1954), set within an ornate decorative frame, flanked on either side by the denomination numeral 10. Issuing authority and treasury inscriptions appear in the surrounding border legends. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Green intaglio. The central vignette presents an allegorical composition entitled "Unidade Nacional" (National Unity), representing the steel industry, framed by guilloche border ornaments and denomination numerals 10 at each corner. The issuing authority inscription and printer's imprint appear in the surrounding legends. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Brazil's Tesouro Nacional issues of this period were printed by De La Rue in London but required manual countersignature by treasury officials before they were considered legally valid — a holdover practice from earlier Brazilian fiscal tradition that created real bottlenecks in note release. The "autographed" designation distinguishes these from later printed-signature versions, and the two printings of Pick 143 are differentiated primarily by subtle typographic and color variations that specialists still debate in the literature.
The second printing is the scarcer of the two in uncirculated grades, though heavily circulated examples of both turns up with roughly equal frequency.