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| Uitgever | Banco Central de Venezuela |
|---|---|
| Jaar | 1980 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#57 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | BANCO CENTRAL DE VENEZUELA DIEZ BOLIVARES AYACUCHO AMERICAN BANK NOTE COMPANY (Translation: Central Bank of Venezuela Ten Bolivares Ayacucho American Bank Note Company) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Antonio José de Sucre's portrait, visible when held to light |
| Varianten | Log in om details te zien |
| Opmerkingen |
Issued to mark the sesquicentennial of Sucre's assassination in 1830, this commemorative falls within a run of Venezuelan memorial notes that leaned heavily on nineteenth-century academic painters for their source imagery. Both Michelena and Herrera Toro were prominent figures of that Venezuelan realist school, and the decision to build a 1980 banknote around their work — rather than commissioning original designs — gave the series an unusually archival character.
ABNC printed the note in New York, continuing a relationship with Banco Central de Venezuela that stretched back decades.