See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

10 000 Rupiah

Issuer Bank Indonesia
Year 1968
Type Log in to see details
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Pertjetakan Kebajoran (Percetakan Kebayoran), Jakarta, Indonesia (1952-1971)
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Portrait of General Soedirman at left, rendered in fine intaglio engraving and facing three-quarters right, set against an intricate guilloche underprint in pale tones. The Garuda Pancasila national emblem appears at upper centre, flanked by denomination numerals '10000' in ornate cartouches at all four corners, with a decorative floral and foliate vignette to the right. Two facsimile signatures appear below centre, captioned 'GUBERNUR' and 'DIREKTUR', with the date '1968' and the legend 'DIREKSI' printed between them.
Obverse lettering Log in to see details
Reverse description Log in to see details
Reverse lettering Log in to see details
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Portrait watermark of Prince Diponegoro visible in the paper when held to light.
Variants Log in to see details
Comments

Percetakan Kebayoran was one of the few state printing works in Southeast Asia at the time capable of producing high-denomination notes domestically, and this 1968 issue reflects Indonesia's deliberate policy of internalizing currency production — a priority that followed the political rupture of 1965 and the dismantling of Sukarno-era institutions. Designer Sadjiroen worked on several Bank Indonesia notes through this period, though detailed documentation of individual design commissions from the Kebayoran atelier remains sparse.

The watermark is the sole security feature — thin protection for a note of this face value, though hyperinflationary pressures during the late 1960s had already eroded the real purchasing power of 10,000 rupiah considerably by the time this series entered circulation.

YOU MAY ALSO LIKE